Anaga runs end to end on real material

Studio went from an idea to something that can be judged. The whole pipeline — reading the material, finding the tempo, cutting, assembling, grading, leaving each piece in its format — runs from start to finish, and it was run on real recordings from a working venue, not on a clip chosen to make it look good.

It is still in development and we say so, because that is what it is: it works end to end locally and it is not yet a service you hand a folder to and walk away from.

And we do not publish its figures. We know how many pieces it returns from one night and how long it takes, and that is no use without the starting point: how long the manual process takes today to deliver those same finished pieces. A number without its point of comparison is an assertion, not data. When we have the “before”, both get published together.